LogotypeTrustpilot ★Excellent 4.8 of 5
About UsReviewsBecome a supplierContact Us/FAQCareersFacebookLinkedinInstagram
Poptop UK Ltd. Registration number 09309515T&C for Clients•T&C for Suppliers•Privacy PolicyAll rights reserved © 2025

Mike Smith Saxophonist

Mike Smith Saxophonist

About

Hi there I’m Mike, a musician based in the North West UK. I play saxophone and have performed at thousands of events alongside household names throughout my 25 year career as a professional musician. I continue to work as a regular sideman with the likes of Elkie Brooks, Echo & the Bunnymen, Tony…

Show more
Logotype

Featured Supplier

5.0(9 reviews)
• 7 bookings

Mike Smith Saxophonist's services

Wedding Sax. Covering All Styles To Suit Your Event
5.0(9 reviews)
• 7 bookings
Southport

Wedding Sax. Covering All Styles To Suit Your Event

Bring your event to life with this professional and experienced saxophone...

from £400
The Stray Horns - Roaming Band
5.0(9 reviews)
• 7 bookings
Southport

The Stray Horns - Roaming Band

The strayhorns are a fun, professional, and dynamic small group that enjoys...

from £1,750
Wedding Jazz Duo - Chilled Vibes
5.0(9 reviews)
• 7 bookings
Southport

Wedding Jazz Duo - Chilled Vibes

The ideal choice for your event, adding a touch of class with our unique...

from £550

About supplier

Mike
Mike
5.0(9 reviews)
• 7 bookings

Years in events

25 years experience

Inspiration

I love music, and come from a family of entertainers

Favourite event

The Royal Albert Hall

Dream celebrity

I would love to play for Stevie Wonder!

9 reviews

5.0(based on 9 reviews)

Accuracy of listing

5.0

Responsiveness

5.0

Reliability

5.0

Money value

5.0
N
Nick Pounds17 Jul 2024

Booked with Poptop

Mike was phenomenal - his playing was groovy, soulful and varied - pitched perfectly to suit the event and audience. Mike was delightful in his interaction with children and adults; he was responsive to requests and 100% amenable. My wife was delighted with the music - she danced with grandchildren, sons/daughters, friends and colleagues within a great atmosphere. Thank you Mike for sharing your musical talents and passion, - helping make this retirement party a success and a lovely experience for everyone.
Mike Smith Saxophonist
Mike Smith Saxophonist17 Jul 2024
Thanks for the lovely words Nick! It was my pleasure to play for you all.
N
natalie eastwood14 Mar 2023

Booked with Poptop

You were both fantastic, really added that special touch to our party, thank you. Many of our friends have mentioned also how great you both were and a few have asked for your contact details which I have passed on. I will be sure to contact you in the future for anymore events. Thank you so much 😊
C
Claire Bassnett13 Apr 2019

Booked with Poptop

Was very good had him for my baby shower and it was just perfect
K
Kim Young16 Nov 2018

Booked with Poptop

Mike was truly amazing!!!! Would definitely recommend! The dance floor was full!! Thank you!!!
T
ticketmaster UK17 Feb 2018

Booked with Poptop

"Over the past near thirty years, Cream has dominated Liverpool nightlife. From its imperious weekly reign of the nineties up to its present-day incarnation of global superbrand, the goliath has evolved and towered above others, managing to remain relevant to a huge audience of clubbers from every generation of that three-decade dominance. The Cream Classical concept has been one such example of that ability to evolve. The re-emergence of the older raver in recent years has dovetailed with Cream's knack for somehow making the dance music revisionist agenda fresh. This hasn't just been about giving the more seasoned dancefloor denizen the chance to hear the records that soundtracked their youth, instead welcoming an experience that appeals equally to the younger generation at the same time. Placing Cream Classical in Liverpool's Anglican Cathedral has been part of the masterstroke. By picking a building which quite literally looms over the city, the brand has managed to get its own bragging rights about the clubs and classical trend. If you're going to be involved in what is now quite a saturated marketplace, you need to do it properly. Cream not only bring their heritage but also the brass balls to pull off something once again on this epic scale. This third edition had a lot to live up to, with the 2016 and 2017 Cream Classical experiences lingering long in the memory. As ever the set-list was rejuvenated, with the theme for this doubleheader Cream Ibiza, the brand's longest-running and arguably most wide-reaching residency which still holds strong. In terms of the venue itself, none of the previous magic and aura had been dimmed. We've said it before, but there really is nothing quite like walking into this ecclesiastical paradise, whether a first-timer or a veteran long converted to its gloriously gothic charms. Liverpool Cathedral is easily one of the most impressive within Europe, and Cream once more bathed the environ in stunning light, sharp green lasers and smoke regularly piercing the walls. The music was equally on point, with the set-list bulging with records that defined different tiers of the Balearic experience. Obvious radio friendly crowd pleasers coursed through the venue's walls, Groove Armada's evergreen 'Superstylin' joined by a particularly raucous rendition of Shapeshifters' feel-good anthem 'Lola's Theme', but there was also time for more introspective cuts which made excellent use of the orchestra's full capabilities. Once such example was a simply stunning rendition of Silicone Soul's 'Right On', the delightful bittersweet strings of one of the most beautiful house music records of all time coming into their own in this space. That, along with a joyous re-imagining of the Source and Candi Staton's Jamie Principle aping 'You've Got The Love'., probably proved the sound based highlughts of the night. And it being Cream Ibiza trance obviously came to the play. The genre's late nineties heyday has had a bit of a purple patch recently, DJs such as Nina Kraviz and Denis Sulta dipping into the sound whilst the likes of Gatecrasher have made a comeback, but it's rarely been delivered with such grandiose splendour as here."

Solo Musician

Music Band

Ensemble